![]() These three acts can be broken up into the fifteen beats of Blake Snyder’s Beat Sheet. What the hero had in Thesis, she combines with what she learned from the B story in the Antithesis and is in a new merging of the two worlds. Sometimes there are reverse versions of characters like friends or mentors in the Antithesis. It invites the reader into the normal world of the protagonist. about Beginning The Story Building The Beat Sheet The Three Act StructureĪct One of the script is the Thesis of the film. The story ends when she comes back home, or elects to stay in the new world. The conflict is an attempt to come back to her original world. This Type of story begins when the protagonist leaves her normal world and enters the other. This story type is about the world you’ve built. The protagonist can be as stunned as we are, and need all the questions answered about this world that we do. This story is really about the audience exploring the world you’ve created. Whether a fantastic land of dragons and sorceresses or an alien planet with symbiotic entities, the key to this story type is that the protagonist is a stand in for the audience. In a Milieu type story, characters will explore a strange new world, whether that be physical or metaphorical. Once dropped into the MICE quotient, the beginning, end and nature of the conflict of the story are simple to determine. ![]() Card’s theory is that the nature of a story’s conflict can be codified for big picture study. MICE stands for Milieu, Idea, Character and Event. Orson Scott Card’s wonderful MICE quotient is a great tool for fitting your story into specific context. ![]()
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